The power of two: Salem-based band The Dejas pedal their way to top

July 28th, 2009

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Callie Lipton and Aaron Katz of The Dejas show off on a tandem loaned to them by Salem Cycle on Washington Street. All photos by Kristin D’Agostino.

When they arrive at the Gulu-Gulu Café, after recording the final notes on a new album, The Dejas are glowing like new parents.  And Callie Lipton, the band’s pretty lead singer, adds to the mood when, breathing a heavy sigh, she says, “[Creating an album] is like having a child. You bring up this living thing and it’s a creature in itself.  You put so much time into it.”

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Katz & Lipton

With an Art Throb show at Soma restaurant in Beverly on July 30, and plenty more gigs planned throughout New England this summer, the two musicians are all too happy to gush about their new baby, an album called Speeding Softly, that was produced by 37′ Productions, a Rockland-based studio that’s seen the likes of musicians including Elliot Smith and Rush. They say the album, due out this fall,  is their best yet, steeped in their signature mellow indie-pop sound, but with more rock n’ roll edge thanks to the incorporation of electric guitar. Also, Lipton says her voice has evolved in the two years she’s been playing shows throughout the northeast.

“I’m pushing my voice more now,” she says. “It’s about being more confident with what we’re doing.”

Listening to The Dejas is like taking a dreamy walk through the woods.  Lipton’s voice is soft and natural in a Susan Vega kind of way, the perfect complement to Katz’s drum playing and smooth harmonizing voice.  The new album is rich in musical instrumentation, incorporating everything from xylophone to ukulele.

The road less traveled

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Goofing in downtown Salem.

At 25 Callie is bubbling over with creative energy, dressed in a black suit vest over a white t- shirt, jeans and cowgirl boots.  She smiles as she recalls a time two years ago when she met Katz who she refers to as her musical soul mate.  The two were students at UNH at the time, and Lipton was honing her musical style in private, “fiddling around” on guitar and recording her songs on cassette tapes.  Answering a music producer’s advertisement on a school bulletin board led her to Katz who had recently started his own business.  Katz says he felt an instant connection with Lipton and the two quickly began playing music together.

“He was exactly what I needed at that point in my life and I was in many ways what he needed too,” Lipton says.

“She was such a natural and I’d been at it for so long…” Katz adds. “It created a great blend of energy.”

Watching the two interact, the ying-yang dynamic in their relationship is palpable. At 33, Katz is more seasoned as an artist, having toured the world as a musician and started his own production company. With his short cropped brown hair and broad shoulders, he radiates a quiet confidence that well compliments his band mate’s fresh talent and bubbling enthusiasm.  And it’s obvious by the way they complete each other’s sentences that the two are very tight.

“He’s my best friend,” Lipton says. “It’s good to have a core person in your life that wants to go the same place as you.”

Musical upbringing

Both Katz and Lipton experienced childhoods steeped in music and creativity. Katz, a Worcester native, is the son of two musicians. Lipton, who grew up in the Boston area, proudly declares herself the daughter of “hippie parents.” Mom, a music teacher who once followed the Grateful Dead around, had the good fortune of teaching Joan Baez’s child in school in California. Baez became a family friend and in inviting the family to the Newport Folk Festival to see her perform, gave Lipton her first taste of the musician’s life. “She was this spiritual wise woman I looked up to,” Lipton says.

“She cooked eggs for us in the morning sometimes, but then I’d also see her on the stage, performing, and I was totally in awe of that life…”

Like her childhood hero, Lipton is determined to pursue the musician’s life, no matter how difficult it may be. “I really want this to be full time, everyday,” she says. Katz, it seems feels the same.

These days The Dejas are in the middle of a bustling summer playing shows across New England. Adventurers at heart, the two are hoping to launch a tour of Massachusetts in the fall on a bicycle built for two, beginning in Salem and hopping off to play at venues within a two hour radius.  To be certain, pedaling along the road together is a great analogy for where they are in their musical career: two artists sharing the same life path come what may.  But, really, Katz says, it’s about having a good time. “It’s funny,” he says, flashing a smile. “We are serious about our music, but we also have a fun side…. People will say, look, here come The Dejas!”

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Sample songs from The Dejas new album at Thedejas.com and on Myspace.

Upcoming shows: July 30th — The Dejas will play Mid-Summer Mingling at SOMA, 256 Cabot Street in Beverly. Co-sponsored by Art Throb and the Creative Economy Association of the North Shore. 6 to 8 p.m. Specialty pizzas and signature cocktails. A $10 suggested donation buys into a raffle of Art Throb gifts, art and music. August 8 — Toad, 1920 Mass. Ave., Cambridge, 7 p.m.

The power of two: Salem-based band The Dejas pedal their way to top
http://www.nsartthrob.com/2009/07/27/the-power-of-two-salem-based-band-the-dejas-pedal-their-way-to-top/

The Dejas are great (and we’ll tell you again) – Chris Elliot

July 28th, 2009

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There is something oddly familiar about The Dejas. Perhaps it’s the name. Perhaps it’s the warmth and universality of Callie Lipton’s timbre of voice, or perhaps it’s the ancient spirit of Aaron Katz’s African hand drums coursing through the veins and arteries of these songs.

Perhaps it is the gentle, unforced, seeming inevitability of the songs themselves.

It is all of this and more, as is the case when an artist with a heart encounters a musician with a heart.

“I’m new at this,” Lipton said during an interview at The Portsmouth Brewery, and despite the richness and polish of her sound, that is a believable statement, if only for the fact that her music appears so unfiltered and pure.

“In fact, my mom heard me sing for the first time a few months ago at Felt in Boston,” Callie said. “She cried.”

“We met by accident,” Katz said of his and Callie’s beginnings. “I have a production company in Dover and she answered an ad. When I met her and heard the material, I knew that she had to become more than a client. I needed to be part of her music.”

There is an X factor, an unnameable entity that is created when willing souls collide in a musical context. That has happened between Callie Lipton and Aaron Katz and it is a moving experience to behold in a live context. More rare still, that experience has been effectively captured in recording. The Dejas debut recording “Solid Ground” has been released, and the band is supporting it with a series of dates near and far.

They recently played a great set at Harper’s Ferry in Boston as well as a home base gig at Café on the Corner in Dover. On Thursday, April 17, the band will see if it can claim the trophy for Best Alternative Band at the Spotlight Awards. May sees the group on tour through Massachusetts, Connecticut, New York, and New Jersey.

Theirs is a rare and magical unification of two wildly different but mutually complementary aesthetics. Callie’s voice is pitched well below the hit-maker bell tone alto that every Christina Aguilera wannabe desperately emulates. Nor does Callie try to mow you down with carefully contrived blue note yodeling. She does a thing that many of the finest artists in the history of popular music have done. She writes great songs, and sings them without guile or effect. Who knew?

Aaron Katz gets it. He accompanies Callie’s pulsing acoustic guitar and velveteen voice with an unconventional array of percussion including djembe, dumbeck, bongo, bass drum, and various other handheld rhythm instruments. “You can imply an entire conventional drum set with a tambourine. The center is the bass drum, the rims are the snare and in between are the toms. The jingles are cymbals. I love dumbecks, too. There’s something organic about playing drums with your hands rather than with sticks,” Katz said.

Not much has been said here about Callie’s prowess on guitar, which is a disservice. Her voice is so engaging and her songwriting so special that it might be easy to overlook her playing, but her broad, spacious chord voicings and the comfortable swing of her rhythm guitar playing is critical to the textural comfort of The Dejas’ music.

This is my favorite new band. Go ahead, listen to “Solid Ground” and tell me I’m nuts.

http://www.seacoastonline.com/apps/pbcs.dll/article?AID=/20080417/ENTERTAIN/804170308/-1/rss51
- by Chris Elliot
SeaCoastOnline.com

The Dejas – by Carrigan Denny-Brown

July 28th, 2009

The important thing to realize about The Dejas is that they are a duo: Callie and Aaron, Aaron and Callie. Callie Lipton is a breathy songstress on guitar; Aaron Katz is impossibly talented on drums. “We’re best friends, but we’re not getting married!” says Lipton. “It’s not like that.” But playing together, the twosome has achieved an elusive style of sound that is decisively distinguishable from other singer-songwriter duos.

When Lipton sings, her voice is mellow and bubbling—one pictures a brook gently rushing over pebbles, as she sips coffee and talks on the phone. The first album release from the band was a soft-spoken nod to the talent and chemistry of The Dejas, aptly titled “Solid Ground.”

“Our roots are in acoustic, ambient rock,” she says, “but with our next album we want to incorporate a bigger sound, with more variety. We want to tell a whole story.” So, the duo of Callie and Aaron are now often joined by a slew of guest musicians, sometimes as many as seven, many of whom are friends. In the studio and on tour, some songs will have a rock-anthem feel, some will hark back to bluegrass, and then there’s their patented soft acoustic to bring it home.

In fact, while the proclaimed homeland for the band is split between Boston and New Hampshire, the origin of the sound comes from a common place. “Our creative process is about sharing and layering songs together at Aaron’s house in New Hampshire,” Lipton says. For two years, the band has toured all over the Northeast, building up a fan base and preparing for the new album and national tour to follow. When The Dejas hit town on the 28th, they’ll have friend Jeff Tuohy opening and more bandmates playing alongside. For his part, Katz will impress with a multitude of rhythm makers. And for hers, Lipton will woo with words. They plan to have all the elements to create the rich and dynamic story of sound—happily ever after.

http://www.weeklydig.com/arts-entertainment/music/fidelity/200811/dejas

Spotlight Award Alternative Band

July 28th, 2009